Noted Norwegian organist to present 'Forbidden Organ Concert' Saturday

Thursday, January 30, 2014
Norwegian organist Lars Gjerde will literally "pull out all the stops" for his guest recital at DePauw at 7:30 p.m. Saturday in Kresge Auditorium.

Norwegian organist Lars Gjerde will present a lecture-recital, "The Forbidden Organ Concert," Saturday, Feb. 1 in the Green Center's Kresge Auditorium as a guest of the DePauw University School of Music.

Admission to the 7:30 p.m. concert is free.

While often confined to its traditional use in the church, the organ --considered the "King of Instruments" by Mozart in the 18th century --became a vehicle of expression for three leading composers of the 20th-century avant-garde: Frenchman Olivier Messiaen, Hungarian György Ligeti and Norwegian Egil Hovland.

Messiaen influenced generations of composers with his progressive harmonic and rhythmical ideas. His "Suite for Ascension Day" (1933), first written for orchestra, brought radical sound right into sacred spaces when he arranged the work for organ.

Ligeti caused shock and controversy in the world of organ music with his "Volumina" (1962), which consists solely of clusters of notes. Melodies, rhythms, and harmonies yielded to blocks and waves of sound created by fists and elbows sliding around the keys.

Hovland found himself in a life-long struggle between his desires to be innovative and to communicate with a broader audience through his music. His "Elementa pro organo" (1965) remains a radical work for the organ, applying its thousands of pipes in refreshing and engaging ways. These works caused scandals and concert cancellations, when they were first performed, making media headlines.

Gjerde, a native of Aure, Norway, recently earned his doctorate degree from the world-renowned Eastman School of Music in Rochester, N.Y., where he researched and performed music for the organ from the wild 1960s. While at the Eastman School, he also received a master's degree and sacred music diploma.

Gjerde is director of music at Bethesda Lutheran Church in New Haven, Conn., where he is dean and 2015 regional convention coordinator for the American Guild of Organists.

In addition to DePauw, his 2013--14 guest lecture and performance appearances include the EROI Organ Festival, Yale University, Augustana College, and the national convention of the American Guild of Organists.

While visiting the School of Music, Gjerde will speak with students and demonstrate some of the special organ techniques and effects he will use in the performance.

During the evening concert, he will provide historical commentary about the program and those in attendance will also be able to watch the performer's hands and feet in action.

"It's a very theatrical piece with wild gestures," Gjerde writes in an email, "and the visual aspect of the performance is very important."

To enhance the theatricality of the work, a video camera will be placed at the organ console to provide a live feed to a projection screen to allow the audience to see exactly what the artist is doing.

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